The judging is carried out by three panels of industry experts in conjunction with prestigious industry organisations the ALD and the STLD.

Concert Touring & Events Judges

Jess Allan

(CT&E Chair) Owner Productionomics Ltd

20 years in the employment of leading lighting (Martin & Chroma-Q) and staging / scenic (TAIT) manufactures, has given Jessica unique access and insight to designers utilising technology for their artistic visions. She now passionately documents concert productions with her company Productionomics, as well as a committee member of Showlight. An advocate of lighting designers being recognised as artists in the wider artistic world.

What do you look for in a lighting/video design?
“Synergy with the music, scenic and other visual elements. Appreciation of attention to detail and subtleties. Challenges overcome, be it from the artist (the type or artist or their specific requests), budget, technology, other creatives involved.”

Claire Beeson

Editor, LSi magazine

Claire has worked on Light & Sound International (LSi) for the past decade, becoming its editor in spring 2017. With a wide-ranging knowledge of the industry, she regularly attends international shows and events representing both PLASA and LSi, and is a member of the organising committee for the prestigious Showlight lighting conference.

What do you look for in a lighting/video design?
“For me, whatever the budget, the best lighting and video designs add an extra dimension to an artist’s work for the live environment, whilst not over-shadowing the performance on stage.”

Jonny Milmer

Head of Lighting Design at Imagination

Over 20 years of lighting design experience encompassing everything from Live music, one-off televised events through to opera and permanent installation he has an incredibly broad range of experience. Working at Imagination for 10 years, one of the world’s largest experiential design agencies, Jonny has been leading the lighting design team there for 5 years on a diverse and extraordinary array massive spectacular shows and events.

What do you look for in a lighting/video design?
“I’m always looking for designer’s work to look cohesive and form a united design approach with the whole show design. Lighting design should complement and enhance, not distract and fragment the complete design of a show. Work should be elegant, considered, and inspirational.”

Kelly Murray

Editor, TPI magazine

Ex-music critic turned live event production journalist/editor, Kelly is forever on the move; in a field, on a tour or writing on a form of public transport… The entertainment technology industry has another permanent crew member.

What do you look for in a lighting/video design?
“Innovation regardless of budget. Unassuming technical creativity & immersivity. I like to be drawn in & gradually exposed to the inner-workings of a designer’s thought process via technology”

Christopher Knowlton

LD

Christopher is an award-winning lighting designer and leader of 18 Degrees, an independent lighting design studio based in London.

Christopher Knowlton believes that great lighting can make a real difference to people’s lives. He has made light central to his life from an early age. It has been and continues to be what inspires him and the source of his indomitable energy. His fascination with light started in theatre and now works in the built environment. Using light to sculpt environments inside and out. His work spans theatre, events, fine art and architecture.

Christopher plays an active role in the International Association of Lighting Designers, IALD and serves as the UK regional coordinator. He is also chair of the advisory panel for the Enlighten Conferences 2018, which is regarded amongst one of the most influential lighting conferences in the world.

What do you look for in a lighting/video design?
“I am thrilled to have been asked to join the Knight of Illumination awards judging panel. Having seen the awards go from strength to strength over the years it’s great to see the quality of the entries is always high.

I love to see and experience the way lighting designers from different disciplines work with the medium of light. I hope that my experience in architecture and the built environment can bring a fresh perspective to the panel. “